Media Relations / 2011 August 15 / in which La Robusta hits a few high notes ... and a few low ones


Pardon for the long break in reviews. I'd apologize and say it will never happen again, but we all know it will, so let's just move on, shall we? Let's shall.

This past week, DC began the roll-up of not one, but two comic book universes. Taking out the DCU in favor of DCnU gets all the attention, of course, but less noted is that they're also doing in the end of First Wave, their attempt at an alternate-earth pulp universe. It never got anything remotely resembling a reasonable promotional push, plus, let's face it, a universe with Batman Month One, the Spirit and Doc Savage, as well as unrecognizable versions of Black Canary and other heroes, was always going to be a hard sell. And, well, it didn't. Sell, that is. Pity; Doc Savage was fun and pulpy, as required, and the Spirit had several good issues. (First Wave itself, however -- that universe's version of Justice League -- had problems. Frequently.) Any road, let's look at the big guns first. (NOTE: Superman shut down this week, but since I don't read it any more and "Grounded" was an absolutely deadly storyline to go out with -- a truly ludicrous concept that should have been shot down before it got started -- I pretty much don't care.)

Oh, and I should say right now: SPOILERS, SWEETIES! I'll try not to give away anything too important, but I make no promises. In fact, I'm pretty sure that I'm going to have to spoil most of the final issues relentlessly, in order to talk about them at all. So I say again, FROM THIS POINT FORWARD, HERE BE SPOILERS!

Got that? Good.

Forward into the fray!




Questions? Comments? Cigars, cigarettes, cigarillos, information about Doc Savage?
Huh. Apparently, when DC said they weren't going to shelve Batwoman, they might really have meant it. Whoda thunk it?


IT’S OFFICIAL: BATWOMAN ONGOING SERIES
Alex Segura, The Source, dcu.blog.dccomics.com

Last week, artist J.H. Williams III was nominated for two Eisners — best penciler/inker and cover artist — for his much-acclaimed run on Batwoman in DETECTIVE COMICS. His art was praised and recognized not only by the Eisners but across the mainstream and comic trade press for its fluid and versatile look in presenting Kate Kane and helping define her as a lasting character. J.H.’s distinctive style and creative page layouts were a key part of the book’s success.

Don’t expect that to change. In fact, J.H.'s role is about to be expanded. In the coming months, Batwoman will settle into more permanent digs of her own — namely, an ongoing series both written and drawn by Williams. He'll be getting a co-writer in W. Haden Blackman, a writer known for his work in the Star Wars universe, including the Star Wars: Galaxies MMO and The Force Unleashed video game. Additionally, MADAME XANADU artist Amy Reeder will be stepping in to handle the art for the second arc in the series. More on that later. [...] "Our goal is to tell a riveting action adventure tale with some heart and drama to it," Williams said. "We want the reader to learn even more about who Kate Kane is as Batwoman — showing why she is an important addition to the Bat Family of heroes beyond what has already been addressed. We are also wanting to really make sure we start building additions to her own 'rogues gallery.' Just how will Kate deal with the fallout between her and her father, Jacob? Will Kate be able to find love other than Renee Montoya, a.k.a. The Question? And as far as flavor — there will be a sprinkle of creepy beings, myth and legends, government agency intrigue, and a surprise return of a fan-favorite character." [...]

[...] “I’m very excited to be working on BATWOMAN,” Blackman said. “I have a real affinity for the character. Jim [Williams III] and Greg [Rucka] have done an amazing job of establishing her as a premiere character in the DC Universe and I’m looking forward to using that as a launching pad to tell all-new stories with her. The opportunity to work with Jim is something we’ve been talking about for a long time and for me it’s really the best job in comics – getting the chance to work with someone who is truly one of the top talents in the industry.

“The thing that really attracts me to Batwoman as a character is her combination of a really strong, personal story and a dark, superheroic one. She has that perfect combination and I’m looking forward to the chance to take some of the classic aspects of vigilante comics and reinterpret them through the lens of this character.”

Excited yet?...


...Yes. Yes, I am.

I wonder if this means that JH will be writing the back end of the "Elegy" arc that he and Rucka had originally planned, or if that will be shelved for another storyline. And what this means for Detective, and for the Question. Presumably, she's not going to be a backup title in Batwoman, and one assumes that once Bruce is back, he'll take over the lead in Detective again. (Or Batman will, anyway.)

It's going to be interesting to see what Reeder does with the artwork on the second arc. I love her work on Madame Xanadu, but it's very very different than the style Williams uses for Batwoman (assuming that his visual storytelling style won't change). In the last Detective arc, Jock's style was very different from Williams', but still worked -- it did seem like maybe he was trying to echo some of the odd layouts Williams works with, but then, Jock's visual style is also fairly distinctive on its own. I'm sure that Reeder can produce a style all her own for Batwoman, if needed, based on what she's managed with Madame Xanadu. (I'm guessing that perhaps this may be what Ms. Reeder refers to in her LJ when she says, "my work-related announcement is that at some point there may be an announcement...about various work-related things. Uh...not sure when those will come, and if they'll be peacemeal, but they're very, very cool and I hope they will stretch me because I'm due for a good stretching." I wonder if she'll be working on both Madame Xanadu and this, or if MX will be handed to another artist -- other artists have worked on the series so far, as well as Reeder -- or if perhaps this means that Madame may be endangered; I really hope that it's doing well enough to continue. (Vertigo titles selling rather dreadfully, on the whole, it wouldn't surprise me if it's having problems. MX did make the March 2010 chart of the top 300 titles, although 8200 copies is kind of low -- although, actually, not for Vertigo. The best selling DC title -- and best selling overall -- last month was Blackest Night #8, with 135,000 copies; the best selling Vertigo title last month was Fables, with 20,000 copies.)

So, all things considered, yes, I am actually excited.

Of course (because a true fanboy is never satisfied), an actual launch date might have been nice.

(EDIT: And it turns out that Reeder will be completing this arc of Madame Xanadu, doing one more issue of a special arc, and then she's done with MX. And it's not clear from what she says whether or not Madame herself might also be done after the next arc. Ah, well.)
GLAAD has announced the winners of 24 of its 32 categories of awards, with the last eight awaiting the Los Angeles ceremony. And the winners are:

Gay & Lesbian Alliance Against Defamation (GLAAD) - 21st Annual GLAAD Media Awards - New York:

Awards Presented on Stage
Outstanding Drama Series: Brothers and Sisters (ABC)
Outstanding TV Movie or Mini-Series: Prayers for Bobby (Lifetime)
Outstanding TV Journalism Segment: "Why Will Won't Pledge Allegiance", American Morning (CNN)
Outstanding Digital Journalism Article - Two-Way Tie:
- "'We Love You, This Won't Change a Thing'" by John Buccigross (ESPN.com)
- "Why Can't You Just Butch Up? Gay Men, Effeminacy, and Our War with Ourselves" by Brent Hartinger (AfterElton.com)

Hartinger's article is a fascinating exploration of the love/hate relationship gay men have with visible effeminacy. Buccigross' story is very touching, and also a little heartbreaking; Brendan Burke died in a car accident about a month or so after the story was published.

Other English-Language Awards Announced in New York

* Outstanding Film-Limited Release: Little Ashes (Regent Releasing)
* Outstanding Individual Episode: "Pawnee Zoo" Parks and Recreation (NBC)
* Outstanding Daily Drama: One Life to Live (ABC)
* Outstanding Talk Show Episode: "Ellen DeGeneres and Her Wife, Portia de Rossi" The Oprah Winfrey Show (syndicated)
* Outstanding TV Journalism – Newsmagazine: "Uganda Be Kidding Me" (series) The Rachel Maddow Show (MSNBC)
* Outstanding Newspaper Article: "Kept From a Dying Partner's Bedside" by Tara Parker-Pope (The New York Times)
* Outstanding Newspaper Columnist: Frank Rich (The New York Times)
* Outstanding Newspaper Overall Coverage: The New York Times
* Outstanding Magazine Article: "Coming Out in Middle School" by Benoit Denizet-Lewis (The New York Times Magazine)
* Outstanding Magazine Overall Coverage: The Advocate
* Outstanding Comic Book: Detective Comics by Greg Rucka (DC Comics)
* Outstanding New York Theater: Broadway & Off–Broadway: A Boy and His Soul by Colman Domingo
* Outstanding New York Theater: Off–Off Broadway: She Like Girls by Chisa Hutchinson


Benoit Denizet-Lewis' story was fascinating, if vaguely inconceivable back in my day. And, in one of those moments of clanging irony, One Life to Live had its award announced a couple of days after the producers announced that the gay storyline for which it won was being phased out. Apparently, they thought that the storyline had harmed the ratings. (The fact that they also dragged out the wretched and annoying Mitch Laurence storyline from mothballs at exactly the same time somehow doesn't get blamed. Only the gay guys in what was clearly a subsidiary storyline. Yes. Quite.)

And you know what? I'm not even going to snark about that comics award. Yes, Detective Comics comes from one of their beloved four mainstream publishers (DC, Marvel, Image, Dark Horse). Yes, Greg Rucka is, you know, a straight guy. It's also a superhero comic starring two lesbian leads, with gripping storylines. And it's bloody flippin' gorgeous to look at. (It's a bit of a pity that this seems to be only a writers award; I think that artist JH Williams III has had as much to do with the series' success as Rucka, frankly.) Doesn't mean that I don't think there were other titles out there worthy of consideration; just that, even allowing for GLAAD's relentlessly narrow parameters for consideration, this is a pretty good choice.

Spanish-Language Awards Announced in New York

* Outstanding Novela: Más Sabe el Diablo (Telemundo)
* Outstanding Daytime Talk Show Episode: "Adopción gay: un tema muy controversial" Paparazzi TV Sensacional (MegaTV)
* Outstanding Talk Show Interview: "Realidades de ser gay en la tercera edad" El Show de Cristina (Univision)
* Outstanding TV Journalism – Newsmagazine: TIE: "En el cuerpo equivocado" Primer Impacto (Univision) & "Damas gracias: Entrevista con Eva Leivas-Andino" Al Rojo Vivo (Telemundo)
* Outstanding Newspaper Article: "Mas familias de dos papás o dos mamas" by Pilar Marrero (La Opinión)
* Outstanding Magazine Article: "Del odio a la justicia" by Lena Hansen (People en Español)
* Outstanding Digital Journalism Article: "Saliendo del clóset: Cómo enfrentarlo en familia" by Fernanda Martínez (Univision.com)
So. GLAAD announced its media awards nominations for 2009 today, including, of course, the nominations for outstanding comic book. Let's remind everyone of the requirements for nomination, shall we? Let's shall?

GLAAD Media Awards Categories
Comic Book
Given to a comic book published by the four mainstream publishers and their subsidiary labels: Dark Horse, DC, Image, and Marvel. At GLAAD's discretion, a comic book from another publisher may be nominated if the book achieves a level of visibility and impact similar to a mainstream publisher. The comic book may be nominated for an individual issue, a story arc or a recurring LGBT character. Receives Award: Award is given to the comic book. Writer, artist and/or editor may accept.


Insert teeth-grinding at GLAAD's stupid limitations here. And ... OK, we're done. Moving on.

Actually, allowing for GLAAD's corporatist bent and the actual purpose of the awards ... I don't hate these nominations. In fact, it's really a pretty good lot. (I know! I'd never have thought I'd say that either!)

Gay & Lesbian Alliance Against Defamation (GLAAD) - 21st Annual GLAAD Media Awards - English-Language Nominees: Outstanding Comic Book
Buffy the Vampire Slayer by Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie, Joss Whedon (Dark Horse Comics)
Detective Comics by Greg Rucka (DC Comics)
Madame Xanadu by Matt Wagner (Vertigo/DC Comics)
Secret Six by Gail Simone (DC Comics)
X-Factor by Peter David (Marvel Comics)


Given that particular group of nominees, I suspect it will come down to Detective vs X-Factor. And I can't say as I'd argue with that, either. (I think the Rucka/Williams run on Detective was perhaps the best thing I read in comics last year, period. It certainly was the most gorgeous.) Mind, that does have one caveat: I don't read Marvel, so I don't read X-Factor. That said, its nomination makes perfectly good sense; the reason it might beat out Detective is because Rob Liefeld, the creator of the characters, who hasn't written them in several years, had a very public hissyfit at the very notion that the character could be gay. If GLAAD can't resist the opportunity to thumb their nose at him while rewarding what seems to have been good writing ... well, I certainly couldn't blame them. (For what it's worth, Peter David and Rob Liefeld have an ... interesting back and forth in the comments thread in the latter article.) Detective is the only comic from any of the Big Four featuring two lesbian lead characters, Kate Kane's Batwoman in the main story and Renee Montoya's The Question in the backup. I only read Secret Six in trade, so I'm not sure what the storylines there were -- although reading Blackest Night: Suicide Squad, which involves the Secret Six, certainly lets one know that Scandal is still most definitely interested in the women -- and Madame Xanadu had one arc featuring a lesbian relationship (granted, involving the main character). And Buffy had Willow, whose relationship with Kennedy became more prominent this year; I don't remember if the whole "Buffy having a lesbian moment" thing was this year or last.

As for the other categories ... well, it's an interesting batch. I didn't see or even hear of a lot of the films that were nominated in the small film category. The television categories are pretty standard, on the whole, with not that much unexpected. I do hope "One Life to Live" wins the daytime drama award. (...Oh, hush already! It's fun! And the Oliver/Kyle/Kris storyline was actually surprisingly well handled -- by which I mean that the coming-out part was really well done, and the romance part was treated pretty much exactly like they treated the straight romances that were going on at the same time. Though I do think Kyle's candle thing was a little ... odd. And that's independent of Amelia's storyline, which was brief but weirdly awesome. But I digress.) The startling thing is that "RuPaul's Drag Race" actually made it for Outstanding Reality Program; a gay program on a gay network nominated for a GLAAD award! Imagine that! (...OK, I'll stop now. Maybe.) And I somehow thought that ABC Family's "Greek" was a drama, and not a comedy. (And look! "Beautiful People" from Logo! Another gay show from a gay network! Good heavens! ... OK, now I'll stop.) In any event, I don't expect that the rest of the category has much chance against "Glee", which seems to have all sorts of momentum these days.

The journalism nominations look very solid. I've actually read or seen most of the stuff nominated -- how on earth did that happen? -- and I can't really argue with much of it.

I do wish that the nominations page had more (or, well, any) links to the nominated items or websites, where possible. But that's a technical quibble.
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