So. GLAAD announced its media awards nominations for 2009 today, including, of course, the nominations for outstanding comic book. Let's remind everyone of the requirements for nomination, shall we? Let's shall?

GLAAD Media Awards Categories
Comic Book
Given to a comic book published by the four mainstream publishers and their subsidiary labels: Dark Horse, DC, Image, and Marvel. At GLAAD's discretion, a comic book from another publisher may be nominated if the book achieves a level of visibility and impact similar to a mainstream publisher. The comic book may be nominated for an individual issue, a story arc or a recurring LGBT character. Receives Award: Award is given to the comic book. Writer, artist and/or editor may accept.


Insert teeth-grinding at GLAAD's stupid limitations here. And ... OK, we're done. Moving on.

Actually, allowing for GLAAD's corporatist bent and the actual purpose of the awards ... I don't hate these nominations. In fact, it's really a pretty good lot. (I know! I'd never have thought I'd say that either!)

Gay & Lesbian Alliance Against Defamation (GLAAD) - 21st Annual GLAAD Media Awards - English-Language Nominees: Outstanding Comic Book
Buffy the Vampire Slayer by Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie, Joss Whedon (Dark Horse Comics)
Detective Comics by Greg Rucka (DC Comics)
Madame Xanadu by Matt Wagner (Vertigo/DC Comics)
Secret Six by Gail Simone (DC Comics)
X-Factor by Peter David (Marvel Comics)


Given that particular group of nominees, I suspect it will come down to Detective vs X-Factor. And I can't say as I'd argue with that, either. (I think the Rucka/Williams run on Detective was perhaps the best thing I read in comics last year, period. It certainly was the most gorgeous.) Mind, that does have one caveat: I don't read Marvel, so I don't read X-Factor. That said, its nomination makes perfectly good sense; the reason it might beat out Detective is because Rob Liefeld, the creator of the characters, who hasn't written them in several years, had a very public hissyfit at the very notion that the character could be gay. If GLAAD can't resist the opportunity to thumb their nose at him while rewarding what seems to have been good writing ... well, I certainly couldn't blame them. (For what it's worth, Peter David and Rob Liefeld have an ... interesting back and forth in the comments thread in the latter article.) Detective is the only comic from any of the Big Four featuring two lesbian lead characters, Kate Kane's Batwoman in the main story and Renee Montoya's The Question in the backup. I only read Secret Six in trade, so I'm not sure what the storylines there were -- although reading Blackest Night: Suicide Squad, which involves the Secret Six, certainly lets one know that Scandal is still most definitely interested in the women -- and Madame Xanadu had one arc featuring a lesbian relationship (granted, involving the main character). And Buffy had Willow, whose relationship with Kennedy became more prominent this year; I don't remember if the whole "Buffy having a lesbian moment" thing was this year or last.

As for the other categories ... well, it's an interesting batch. I didn't see or even hear of a lot of the films that were nominated in the small film category. The television categories are pretty standard, on the whole, with not that much unexpected. I do hope "One Life to Live" wins the daytime drama award. (...Oh, hush already! It's fun! And the Oliver/Kyle/Kris storyline was actually surprisingly well handled -- by which I mean that the coming-out part was really well done, and the romance part was treated pretty much exactly like they treated the straight romances that were going on at the same time. Though I do think Kyle's candle thing was a little ... odd. And that's independent of Amelia's storyline, which was brief but weirdly awesome. But I digress.) The startling thing is that "RuPaul's Drag Race" actually made it for Outstanding Reality Program; a gay program on a gay network nominated for a GLAAD award! Imagine that! (...OK, I'll stop now. Maybe.) And I somehow thought that ABC Family's "Greek" was a drama, and not a comedy. (And look! "Beautiful People" from Logo! Another gay show from a gay network! Good heavens! ... OK, now I'll stop.) In any event, I don't expect that the rest of the category has much chance against "Glee", which seems to have all sorts of momentum these days.

The journalism nominations look very solid. I've actually read or seen most of the stuff nominated -- how on earth did that happen? -- and I can't really argue with much of it.

I do wish that the nominations page had more (or, well, any) links to the nominated items or websites, where possible. But that's a technical quibble.
(NOTE: this entry has been added to and edited throughout the afternoon. You might want to consider a reload or two.)

In honor of the most recent anniversary of the decision Roe vs Wade,

- Supernatural Law is rerunning one of their old stories: "Supernatural Law": I'm Carrying Satan's Baby! Depicting a rather peculiar collision between technical rape and spousal consent laws. (Properly speaking, it wouldn't be Ro v Wade; it would be Austin v Austin and the State of Wherever-Weddington-Is-Located.) Think of it as "Whatever would have happened to Rosemary's baby if Rosemary had had a really good lawyer?"

- Ragnell talks about an old issue of Icon that actually discussed the issue. And, of course, there's the time that Stephanie Brown was pregnant, back before her unfortunate demise. (A question for the peanut gallery: has any actual character in a comic, either the lead or a major supporting character, gotten an abortion for any reason? Even back when the idea was more socially acceptable, that seems like it would be a relentlessly courageous position to take, but frankly, I just don't know.)


Striptease seems to be on a more regular schedule these days. Now featuring forgotten lesbionnage! ("Hornier than a herd of triceratops." My.) (Note: there is no actual stripteasing in Striptease. If you don't count that thing in the club near the end of last year, anyway.)


Liking "Day by Day" (sometimes) makes me periodically feel in the need of severe liberal reindoctrination camps, especially when he says something I kind of agree with. That said ... I don't get this one. Not even a little. Hasn't Al Gore been proven more or less right? What am I missing?


Moments of operatic violence aside ... Who hasn't had a day like this?


History. 'Tis almost the month, after all.


Yet more commentary on the "Why Anthony and his mustache should go off and die" controversy. (For what it's worth, I'm still hoping for Elizabeth to wind up on her own, since all of the datable men in her life kind of suck.)


Mo is now a public librarian for young adults. I wonder if that can possibly work out well...


An interview with Peter David. He's right about Veronica Mars, wrong wrong wrong so very wrong about Studio 60 which comes close to sucking the big one. And in part two, we see the Worst Reason EVER to kill off a beloved character. (Seriously. Very very bad.) And possibly the best tweak ever at DC in my favorite title.
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